
Opera Singer
and Performing Artist
David Cangelosi


DAVID CANGELOSI WAS A STRONG-VOICED NOCTAMBULIST
AND POPE OF FOOLS, SINGING WITH MORE IRONY AND SEDUCTIVENESS…
(HIS) LONG HAIR AND WHITE SUIT MADE THIS ROGUE FOPPISHLY ELEGANT.
Opera News

The other high-lying male role
is filled by David Cangelosi.
His voice is unusually rich and powerful…
Theater Jones

The remarkable David Cangelosi
etched yet another vivid
and strongly sung characterization
as the goofy scientist, Spalanzani.
Chicago Classical Review

David Cangelosi gave us a vibrant,
interesting tenor as Tinca.
New York Sun

It was Cangelosi's 'Mime' who stole the show
for being so brilliantly sung
with vivid characterization.
Opéra Fantastique

David Cangelosi gave
his usual polished turn
as the wicked Monostatos.
Musical America


'Mime'…brilliantly sung
and acted by David Cangelosi,
possibly the greatest 'Mime' ever.
Opera West

David Cangelosi provides a gorgeously sung,
practiced ‘Mime’…a full theatrical creation.
Opera News
Biography
David Cangelosi has firmly established himself as an artist who combines both excellent singing with winning characterizations. He is highly acclaimed by major opera companies and symphony orchestras in the U.S. and abroad, particularly for his portrayal of Mime in Wagner’s Ring Cycle.
Additionally, Mr. Cangelosi serves as the Artistic/Program Director of the Vann Vocal Institute in Montgomery, Alabama, and actively travels the country as a recitalist, symphonic guest-artist, competition adjudicator, and Master Class instructor for aspiring vocalists.
Reviews
“Mime is David Cangelosi – beyond any doubt whatsoever the best acting I’ve seen anywhere in the world for this very fun – and challenging role.”
And casting David Cangelosi in the problematic role of Monostatos was inspired. Cangelosi went to town playing up the character’s officious buffoonery, singing strongly all the while.
“Pagliacci’s best singing of the night came from Beppe…in a sweetly sung serenade, courtesy of tenor David Cangelosi. “
"Nobody has ever been more effective or as amusing than David Cangelosi as Mime; he made every minute of this role a total pleasure."
All of the roles were well taken. Chief among them was the remarkable character tenor David Cangelosi as the Blind Judge. His powerful singing emphasized the Judge’s tenacity...
“Tenor David Cangelosi made a real human being out of the secondary character Prunier, and delivered the musically important part with panache. “
"Mime…brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever."
"David Cangelosi’s lustrous Tenor tones were conveyed with complete control as the character Mime… he obviously relished the potential of this multi-layered role...a 'tour-de–force' performance."
The henchman (Spoletta)...well sung by David Cangelosi (a splendid character actor).
“David Cangelosi’s Mime was vocally exactly right…moving…climbing…even doing an (impressive) series of cartwheels. “Cangelosi comes through it all, to his credit, singing well all along.”
"The remarkable David Cangelosi dominates the show to such an extent that the opera should be renamed ‘Mime’."
The supporting cast was first rate. David Cangelosi as the Blind Judge gave a stentorian hint that Justice might be rendered.
Similarly, I always enjoy veteran performer American tenor David Cangelosi. In this production, he was Monostatos. Cangelosi has been around international opera long enough to telegraph “I got this” to the audience. My guess is that kind of cool has a calming effect backstage, similar to that of a veteran ballplayer sitting on the bench with the jumpy rookies. DC Metro Theater Arts
Cange's Corner
The Crowd Goes Crazy, Die Fledermaus JLO
Opening Night Excitement, 50th Anniversary JLO, Die Fledermaus 2025
WSFA TV, Vann Vocal Finale Media Blitz
Troy Public Radio (NPR), In Focus with Carolyn Hutcheson
Montgomery Media Blitz
Vann Vocal Institute 15th Anniversary ‘Celebrity Recital’ promo
Todd’s Song (The Table Remains)
The Power of Music!
A Farewell to Montgomery with Love for the Art
After 17 years, the Vann Vocal Institute–a program of the Montgomery Symphony Association–will cease operations after a free concert for the public on Saturday October 5 (7:00 p.m.) at the Montgomery Museum of Fine Art (MMFA). The farewell event will feature artists that have been part of the Institute’s world-class faculty since 2007. Internationally acclaimed […]
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Over the past few months, I have been lucky enough to enjoy several theatrically oriented Chicago events in between my own performance and teaching obligations. Included among these are: Bravo Broadway (Grant Park Music Festival) Clouds in My Coffee (Ravinia Festival) South Shore Dance Company (Auditorium Theater), To Kill a Mockingbird (CIBC Theater), Chicago Sound […]
Read MoreThe Highest of Compliments
It is sometimes hard to know–in a full sense–what kind of impact you make as an artist on your audiences and critics; and while feedback from one’s colleagues is often immediate…and generous…sometimes you are blown away by learning (several years later) just how you may have inspired a rising star. Case in point: In a […]
Read MoreVann Vocal Promo II
https://www.wsfa.com/video/2020/03/09/vann-vocal-institute-celebrates-years-with-free-concerts/?fbclid=IwAR0_8UP4Bftk4MPT8aOMDw7g72q3RAJwTV5cy-6cOO4gYfcsjBxmnyKLOj4
Read MoreVann Vocal Promo!
https://www.wsfa.com/video/2020/03/05/talk-world-finest-opera-singers-coming-montgomery/?fbclid=IwAR0SAMO6XUC6RNl61-BPCUNIOtAOXA-iuci_9WelkFhMzLWF1EcZij67KA4
Read MoreA Witch of a Time
Gotta love a good story regarding one’s love of the craft. Click on the link and read all about it! https://www.minotdailynews.com/life/arts-entertainment/2020/01/cangelosi-shares-his-love-for-opera/
Read MoreSlow Down, You Move Too Fast
In 1966, or 1970–depending upon which release date you choose–music lovers of a certain age will remember a tuneful little song with a simple message. That message being: “Just enjoy the moment”. (In this particular case, the ‘morning time’ specifically…but we can broaden that inspiration to encompass the entire day as far as I am […]
Read MoreNew York (Up) State-of-Mind
I’m busy putting the finishing touches on Das Wunder der Heliane (Korngold) which will have its U.S. Premiere in August at the Bard Music Festival (‘SummerScape’) under the baton of Maestro Leon Botstein. The cast will star several colleagues/friends of mine, including Daniel Brenna (my favorite Siegfried), Nathan Berg (one of my favorite Alberich’s), and […]
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